In Retro City, Michael Johns links the current urban revival to nostalgia for cities as we remember them from the past, (this is hardly unusual considering that Johns is the author of Moment of Grace: The American City in the 1950s), and claims that the amenities and conveniences of the "new" city are not only not new, they are imports from the world of the suburbs:
Although we've resurrected the forms of our cities, we've animated them with a culture straight from the suburbs.
Today's cities copy those of 50 or more years ago because the 1950's was the last time cities had busy downtowns and strong neighborhoods. Their buildings were made almost entirely of brick, stone, wood and terra cotta. Factory, rail and waterfront districts still produced and moved goods. City residents displayed a certain sophistication,as movies of that era remind us. And cities played a dominant role - economic, cultural and political - in the life of the nation. All that came to an end in the late 50's, when cities fell into a long period of physical and cultural decay.
American cities will never again be as vital as they were during the first half of the 20th century. That is why cities are prime objects of nostalgia in our very nostalgic age. And what better way to modernize the objects of our nostalgia than by recreating old cities to attract large numbers of young professionals? Cities suffered for decades, after all, and lost middle- and upper-class residents. Renewal projects failed to improve them. They are shrinking parts of an expanding and increasingly dominant suburban society. And a growing number of affluent people now find suburbs boring or homogeneous. No wonder cities seem fresh, even exotic, and thus ripe for a nostalgic comeback.
[...]
[T]he culture of loft districts and gentrified neighborhoods resembles that of a suburban subdivision much more than an old city block. Newcomers to such areas want the look of the old city but the peace and quiet, and purely residential character, of a suburb. So they immediately encourage local officials to squelch the sounds, smells and movements of any manufacturers or wholesalers still in the neighborhood.
Sometimes they're even willing to ruin historical architecture for the sake of a suburban convenience. Think of the metal balconies that developers tack onto converted warehouses so residents can partake in the suburban pastime of grilling. Backyard grilling may well be the greatest invention of our suburban culture, but is it worth defacing beautiful brick facades for grilled salmon?
What lies behind all this residential development, of course, is the idea of "the neighborhood." A New York real estate broker described gentrifying blocks above 96th Street along Broadway as "just so 'neighborhood.' "Hundreds of newspaper and magazine articles depict an "old neighborhood feeling" in gentrifying districts everywhere. Or they discover, as one recently did in the area around Madison Square Park, "a sense of community and shopkeepers who provide old-fashioned courtesies."
Merchants sometimes fly pennants on renovated retail streets to announce the neighborhood's name. Whether they've resurrected the old name or invented a new one like NoLIta, it's a self-conscious attempt to create a sense of neighborhood identity, something old neighborhoods never did.
But today's neighborhood is different from the older one that's supposed to inspire it. For one thing, gentrifiers and loft-dwellers live much less of their lives in their neighborhoods than those who lived there 50 years ago. Today, few mothers and children are around during the day. Many of those children go to schools outside their neighborhoods and, like their parents, tend to have most of their friends and most of their activities in other parts of the city.
Like a postwar subdivision, today's retro neighborhoods lack ethnic clubs, nearby in-laws or grandparents, and merchants who have watched a generation of youngsters grow up. They lack the culture that once provided city neighborhoods with a sense of continuity and identity, and forced people to develop ties over time, across generations, even across ethnic differences.
Loft districts and gentrified neighborhoods have been transformed so quickly, and by such similar kinds of people, that they are often as homogeneous, with respect to age, race, income and education, as a 50's suburb. Gentrifiers acknowledge this lack of diversity, and it's a painful admission because "diversity," after all, is what they say they like about the city.
[...]
The car in itself is not suburban. But it is suburban to expect your very own parking space in the city. Such an expectation means new and converted residential buildings must include a built-in parking space for each apartment, a requirement that turns the first floor or two of a building into a parking lot.
Parking is so scarce in some gentrified neighborhoods that people regularly park on sidewalks. As a member of a San Francisco neighborhood council put it: "There is a substantial age and experience divide on this issue. Those people who see nothing wrong with it are younger and more recent residents of the neighborhood, who bring a suburban sensibility to the city."
Bringing a suburban sensibility to the city: that's a good description of our urban revival.
While Johns makes some interesting points, I'm not certain that "nostalgia" is necessarily the prime motivator behind the new urban revivial. Might it not be that what we're seeing is a return to the kind of urban scale that is more comfortable for people to live in, and to recreate that scale people have turned to the nearest example of it at hand, the remnants of the older city that still exist?
As for the suburban sensibility, I was ready to quibble with that as well, but it occured to me that, having been born and raised in the suburbs I might not be the most objective observer. Perhaps, unknowingly, I've brought my suburban prejudices to the city with me, and perhaps 30 years of living in cities (Boston and New York) haven't eroded them. I don't know, I guess I'll have to mull it over.
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unfutz: toiling in almost complete obscurity for almost 1500 days
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